Apply the concept of representation to one of your coursework productions
· Identify characters, events or issues within the
production to discuss
· What representational concepts are highlighted? Eg, race, gender, class, age etc
· What representations have been generated?
· Discuss the specific elements of character
representation – ie. Mode of address, facial expression, clothing, behaviour
etc
· Have any stereotypical representations been generated?
· Does the production conform to or subvert any dominant
ideologies?
Some useful quotations:
“Identities are not ‘given’
but are constructed and negotiated – David Gauntlett
“Identity is
complicated. Everybody thinks they’ve
got one. Artists play with the idea of
identity in modern society.” – David Gauntlett
“Men act and women
appear.” “Men look at women. Women watch themselves being looked at.” –
John Berger
“Women are aware of being
seen by a male spectator.” – John Berger
“In a media saturated world,
the distinction between reality and media representations becomes blurred or
invisible to us” – Julian McDougall
“In advertising, males gaze
and females are gazed at” – Jib Fowles
“Female models addressed to
women appear to imply a male point of view” – Paul Messaris
Depending on who the main
characters were in your AS and A32 productions, choose 1 or more of the
following categorisations of people, and discuss how your video represents
them.
INTRO – Explain which product
(AS or A2) you will be analysing and which social groups you will be analysing
the representations of..
MAIN BODY – AGE – How does
your film/music video construct representations of different ages? Consider costumes, props, location, body
language, facial expression, sound, edits etc
Repeat for
GENDER/CLASS/ETHNICITY/GOOD VERSUS EVIL
Have you included stereotypes
and why? Have you challenged them and
why?
CONCLUSION: Why did you
create these representations and what was the intended effect upon the
audience.
Theorists you could include:
Levi Strauss
and binary opposites – which media techniques did you use to create these
oppositions and to what purpose?
Laura Mulvey
and the male gaze (women seen as sex objects – only two roles for women
“virgin” or “whore” in the media)
Vladimir Propp
– his theory of narrative suggests that texts often represent characters as
particular types in order to make them easily identifiable to the audience –
eg. Hero, villain, donor, dispatcher etc
How did you signify this to
the audience and why does it engage them?
She says that men and women
are often represented through stereotypes in the media and are often shown in
traditional gender roles. For example
women are often shown as weaker, victims, mothers, carers etc Men are often shown as aggressive, strong,
leaders etc. Can you apply this to your
work?
Stanley Cohen
– he believes certain groups in society are ‘demonised’ and ‘marginalised’
through negative representations which cause moral panic when the majority of
society fears that social group. Did you
do this? Why? What was the effect?
Any audience theory can be
applied in the conclusion – eg. Two step flow; Stuart Hall’s Reception Theory
(preferred reading) etc.
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